Until he began branching out in 1996 with a barrage of album
productions and remix classics (several of which were heard by more
people than the originals), Armand Van Helden was one of the best-kept
secrets in house music, recording for such labels as Strictly Rhythm,
Henry St., and Logic. Afterwards, he became one of the top names in
dance music altogether. As one in the steady progression of top
in-house producers for Strictly Rhythm during the early '90s, Van
Helden joined such names as Todd Terry, Erick Morillo, Roger Sanchez,
Masters at Work and George Morel to record scores of club hits. By the
late '90s, a clutch of crucial remixes and several albums made Van
Helden's name as one of the most popular producers around.
Van Helden spent time in Holland, Turkey and Italy while growing up the
son of an Air Force man, and listened to music from an early age. He
bought a drum machine at the age of 13 and began DJing two years later,
mostly hip-hop and freestyle. Based in Boston while attending college,
Van Helden proceeded to moonlight as a DJ; though he settled into a
legal-review job after graduation, he quit his job in 1991 to begin
working on production for the remix service X-Mix Productions (founded
by his future manager, Neil Pettricone). Van Helden also owned a
residency at Boston's Loft, and soon made it into one of the most
popular nightclubs in the city. After playing one of his production
demos for the dance A&R guru Gladys Pizarro in 1992, Van Helden
released his proper debut single, Deep Creed's "Stay on My Mind," for
Nervous Records.
Later that year, Van Helden released "Move It to the Left" by Sultans
of Swing, his first single for the premiere American dance label
Strictly Rhythm. Though a moderate club hit, the single was eclipsed by
another Strictly Rhythm offering, 1994's "Witch Doktor." It became a
dancefloor hit around the world and introduced him to a larger club
audience. Although he had remixed Deee-Lite, Jimmy Somerville, New
Order, Deep Forest and Faithless, a reworked version of Tori Amos'
"Professional Widow" hit the clubs with the same impact as his
"Witchdoktor" single. During 1996-97, Van Helden became
the
name for forward-thinking pop artists to recruit for remixing duty from
the Rolling Stones, Janet Jackson and Puff Daddy to Sneaker Pimps, C.J.
Bolland and Daft Punk. His own-name singles productions continued
unabated, with hits like "Cha Cha" and "The Funk Phenomena," plus the
release of his first album, Old School Junkies. Following a 1997
Greatest Hits retrospective, Van Helden returned to his old-school rap
roots with the party breakbeat album, Sampleslayer...Enter the
Meatmarket. The 2 Future 4 U EP followed in 1998, and in mid-2000 Van
Helden returned with Killing Puritans. The records kept on coming:
Ghandi Khan (2001), Funk Phenomena: The Album (2003), New York: A Mix
Odyssey (2004), and Nympho (2005)